Janice Caswell

EDUCATION

BFA, Fine Arts, School of Visual Arts, New York

MA, Government and International Studies, University of Notre Dame, Note Dame, IN

BA, Philosophy, University of Missouri

AWARDS AND RESIDENCIES

2017

Arts and Letters Award, American Academy of Arts and Letters

2017

Hassam, Speicher, Betts, and Symons purchase prize, American Academy of Arts and Letters

2016

Yaddo, fellowship

2015

Virgina Center for the Creative Arts, fellowship

2002

Artist in the Marketplace Program, Bronx Museum of the Arts

SOLO EXHIBITIONS

2017

Teeter, Main Window project space, Brooklyn, NY

2016

Assembly Required, Matteawan Gallery, Beacon, NY (upcoming – September)

2008

Remapping Savannah, Savannah College of Art and Design, Pinnacle Gallery, Savannah, Georgia, curated by Erin Dziedzic

2006

Lay of the Land, Schroeder Romero, New York

2004

Small Towns, Schroeder Romero, Brooklyn, NY

2003

The Road to Higher Education, Part 1, Aldrich Contemporary Art Museum, Ridgefield, CT

SELECTED GROUP EXHIBITIONS

2017

Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York

2016

Of an Urban Nature, +1+1, Brooklyn, NY

Altered States, Hewitt Gallery of Art, Marymount Manhattan College, New York

2015

+1 +1 at Artist Run/The Satellite Show, a collaborate installation with MADEart and LABspace for art week, Miami, FL

de•con•struct, Matteawan Gallery, Beacon, NY 2015, curated by Krista Svalbonas

+1 +1, LABspace, Hillsdale, NY

Selected works from the Pierogi flat files, Art Hotel Gran Paradiso, Sorrento, Italy

Peregrinations, Constellations, Schema Projects, Brooklyn, NY

2014

artsurvivalistguild, Main Window, Brooklyn, NY

eXergY, LABspace, Great Barrington, MA

Pins and Needles, Housatonic Museum of Art, Bridgeport, CT

2013

Disorderly Orderly, Calico, Brooklyn, NY

2011

Mark Making: The Presence of Line, Derfner Judaica Museum, Riverdale

2010

Inquiring Eyes: Greensboro Collects Art, Weatherspoon Art Museum, Greensboro, NC

2009

The Lining of Forgetting, The Austin Museum of Art, Austin, TX

Wayfinding, Akus Gallery, Eastern Connecticut University, Willimantic, CT

It’s a Schro Ro Summer!, Schroeder Romero, New York

2008

The Lining of Forgetting, Weatherspoon Art Museum, Greensboro, NC, curated by Xandra Eden (catalog, traveling show)

Serial Meditations, NURTUREart, Brooklyn, NY, curated by Amy Brandt and Melissa Messina

2007

Zoom + –, Arena 1 Gallery, Santa Monica, CA, curated by Doug Beube and Sherry Frumkin

Drawings of Another Kind, Limn Gallery, San Francisco, CA

Breaking New Ground, Iona College, Brother Kenneth Chapman Gallery, New Rochelle, NY

2006

Personal Geographies, Hunter College Gallery, New York, curated by Joanna Lindenbaum (catalog)

Global, Westport Arts Center, Westport, CT, curated by Richard Klein (catalog)

Fantastic Routes, Galerí­a Galou, Brooklyn, NY, curated by Alejandra Villasmil

Synthetic Aesthetic, The Roger Smith Lab, New York

Slow Revolution, Rotunda Gallery, Brooklyn, NY

2005

Mental Maps, Dorsky Gallery, Long Island City, NY, curated by Kate Green

New Turf, Fleming Museum, University of Vermont, Burlington, VT, Curated by Evelyn Hankins (catalog)

Lines & Curves, Limn Gallery, San Francisco, CA

Human Scale, Dumbo Arts Center, Brooklyn, NY, curated by Douglas Bohr

2004

CityMaps, ArtPace, San Antonio, TX

Invitation à la Galerie Schroeder Romero, Galerie Anne Barrault, Paris

Mapped/from there to here, Margaret Thatcher Projects, New York

Synapses, Florence Lynch Gallery

2003

High and Inside, Marlborough Chelsea, New York, curated by Maurice Tuchman (catalog)

Road Trip, Margaret Thatcher Projects, New York

STROKE, Schroeder Romero, Brooklyn, NY

Making a Mark: Janice Caswell and Lordy Rodriquez, Visual Arts Center of Richmond, Richmond, VA

Mapping it out, The Work Space, New York

2002

AIM22, Bronx Museum of the Arts, Bronx, NY

Northeast Artists: Selections from New American Paintings, Steven Zevitas Gallery (formerly OSP Gallery), Boston, MA

2001

Cities and Desire, Rotunda Gallery/BRIC, Brooklyn, NY

Random Access Memory, Dumbo Arts Center, Brooklyn, NY

2000

Substance, Neoimages, New York

Loopy, Gallery Korea, New York

Size Matters, Gale Gates,Brooklyn, NY

SELECTED COLLECTIONS AND CORPORATE COMMISSIONS

Capital Group Companies

Richard Massey

Edelman

Diageo

Abercrombie & Fitch

BIBLIOGRAPHY

“Gallery Chronicle,” The New Criterion, April 2017, James Panero

Pins and Needles” at Housatonic,” Hartford Courant, January 21, 2014, Susan Dunne

Visual Complexity: Mapping Patterns of Information, 2011, Manuel Lima, Princeton Achitectural Press, New York

The Map as Art: Contemporary Artists Explore Cartography, 2009, Katherine Harmon, Princeton Architectural Press, New York

The Lining of Forgetting at the  Austin Museum of Art – Part II,” Austin on Stage, May 30, 2009

Remapping Savannah: Site-specific installation and cartography by Janice Caswell@Pinnacle Gallery,” Connect Savannah, May 1, 2008, Bertha Husband

Memory Landscape Drawings Information Aesthetics, October 12, 2007, Andrew Vande

Janice Caswell’s LandscapesVisual Complexity, Manuel Lima

“Janice Caswell’s Mental Maps: Three-dimensional Glimpses of Memory in Physical Space,” Gay City News, New York, September 28, 2006, Rachel Liberman

Mental Maps: Dorsky Gallery,” ARTL!ES, Houston, TX, Issue 48 – Summer 2006, Lyra Kilston

“Finding her place: The Fleming’s New Curator lands a ground-breaking exhibit,” Seven Days,  Burlington, VT, July 13, 2005, Pamela Poltson

Lovely lines draw the eye at Limn Gallery,” San Francisco Chronicle, July 9, 2005, Kenneth Baker

Art to Start With,” New York Post, Oct. 30, 2004, Samuel T. Clover

Dateline Brooklyn,” Artnet.com, Oct. 2004, Stephen Maine

“Small Towns, Janice Caswell,” M – The New York Art World, Oct. 2004, Joel Simpson

“The October ArtCrawl,” Freewilliamsburg.com, Oct. 2004. Keane Pepper

City Maps,” ARTL!ES, no. 24, Spring 2004, Catherine Walworth

“Echange de très bons procédés,” Technikart, numero 79, Bénédicte Ramade

“Full House’ at the Aldrich Museum,” NY Arts, Vol. 8, No. 6-8, L.P. Streitfeld

“It’s a ‘Full House’ at the Aldrich Museum,” The Advocate & Greenwich Time, April 27, 2003, L.P. Streitfeld

Mapping Unseen Territory: Three visual artists plot memory in two different exhibitions,” Style Weekly, Richmond, VA, April 9, 2003, Paulette Roberts-Pullen

“The Art Crawl,” freewilliamsburg.com, Feb, 2003, V35, Keane A. Pepper